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Masters of the Universe: Revolution Media Play News

January 28, 2024

STREAMING REVIEW:

Netflix;
Animated;
Not rated.
Voices of Chris Wood, Mark Hamill, Melissa Benoist, Liam Cunningham, Lena Headey, Diedrich Bader, Gates McFadden, Stephen Root, Griffin Newman, Tiffany Smith, Ted Biaselli, Meg Foster, Keith David, John De Lancie, Jeffrey Combs, William Shatner.

The latest chapter in the “Masters of the Universe: Revelation” saga is a blast of “He-Man” awesomeness that fans of the franchise have been awaiting for nearly 40 years.

“Revelation,” a continuation of the 1980s “He-Man” lore spearheaded by Kevin Smith, offered a nostalgia-driven storyline that updated many of the characters, though some fans complained that He-Man was sidelined in favor of focusing on Teela and her unique destiny in Eternian lore.

“Masters of the Universe: Revolution” should appease the concerns fans had with the “Revelation” by putting He-Man back in the center of the action. When binged, the five episodes of “Revolution” play like an epic two-hour “MOTU” movie.

When tragedy befalls the royal house of Eternia, Prince Adam (Chris Wood) must decide whether the best path forward would for him to assume the mantle of king, or to remain Eternia’s champion in his alternate identity of He-Man. Teela (Melissa Benoist), meanwhile, adjusts to her ascension as the new Sorceress of Grayskull, and sets out to restore Preternia, an afterlife where warriors’ souls can rest in peace. But their plans are once again threatened by Skeletor (Mark Hamill), whose new scheme promises to pave the way for the evil Hordak (Keith David) to invade the planet.

Aside from one extremely boneheaded decision by Prince Adam, there’s a lot here for the franchise’s fans to love, starting with an outstanding guest turn by William Shatner as a key figure in the secret history of Eternia’s royal house.

The references to the original “He-Man” toy line and the Filmation cartoon based upon them fly fast and furious. But the creative team also weaves in elements from other “MOTU” storylines, such as the 1987 live-action film.

It culminates in one of the most satisfying final sequences that a 1980s toy property could possibly yield, while also providing a path for future storylines should Netflix continue the series.

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John Latchem

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